Music is integral to South African culture, serving as a voice against apartheid and a means of connection during significant life events. Kwaito artist Mkhonzeni Professor Langa, widely known as Professor, understands this deeply. His latest single, “Iskoqokoqo,” nods to his 2010 hit “Imoto” from his debut album “University of Kalawa Jazmee.”
Despite a decade between the two songs, storytelling remains central to Professor’s music. When “Imoto” was released, he was grappling with challenges in an industry where he felt his momentum was waning. “People received Imoto in a totally different way,” he recalls. The song stemmed from frustration during a difficult period, serving as a declaration of his commitment to reclaiming his place as a significant voice in the industry.
On its surface, “Imoto” narrates tales of heists and a glamorous lifestyle, but for Professor, it also asserted his presence and relevance. His career began alongside T’Zozo in 2005, producing three albums before launching his solo work in 2010, which sold over 120,000 copies and earned multiple accolades, including Best Kwaito Album at the Metro FM Awards.
Professor’s music resonates because it reflects familiar themes and experiences, often exaggerated with humour and bravado. “This is what defines me,” he states, emphasizing his roots in storytelling and community experiences that resonate with listeners.
With “Iskoqokoqo,” Professor takes a more serious approach, engaging with themes of black-on-black violence and the normalisation of harmful behaviour in the struggle for survival. The track blends Kwaito, 3 Step, and Gqom, using upbeat rhythms to draw listeners into a complex discussion.
Experimentation is key for Professor as he strives to keep storytelling vibrant. Collaborating with up-and-coming producer Larny and Essa Kay enriches his work, allowing for fresh perspectives. “I want to have a different viewpoint,” he explains, underscoring the importance of evolving while staying true to his roots.
While producing music is vital, Professor recognises the complexities of today’s digital landscape, where artists not only create but also need to market their brand through social media and online presence. “The digital space is very difficult to understand,” he admits, highlighting the challenges faced by seasoned musicians trying to adapt.
Though he has plenty of unreleased music, he hints at the prospect of a new album in the future, eager to revisit the stories and experiences that have shaped his journey.
